The duo had their national American TV debut on Late Show with David Letterman on December 18, 2006, performing "Diablo Rojo". Their song "Tamacun" featured in the pilot episode of AMC's Breaking Bad in January 2008. Live in Japan was released on October 20, 2008, in the United Kingdom, and includes 14 tracks, and a bonus DVD containing five videos.[15] The Led Zeppelin cover can be found on the album Rhythms del Mundo Classics. Their feature on MTV gave them a huge boost in popularity in the United States. This led to a feature on Nightmare Revisited, a tribute album to Danny Elfman's music from Tim Burton's The Nightmare Before Christmas. The duo performed an instrumental version of "Oogie Boogie's Song."
By 1968, London-born singer Dusty Springfield was already a success in the United Kingdom when she came to America to record "Dusty in Memphis," which would become the defining album of her career. Even before "Memphis," Springfield had strong ties to American music having released hits written by Burt Bacharach and Hal David as well as Gerry Goffin and Carole King. Three legendary producers were involved in the sessions: Jerry Wexler, Arif Mardin and Tom Dowd. The The instrumental tracks were recorded at legendary American Sound Studio in Memphis, Tennessee, featuring the 827 Thomas Street Band and backup vocalists, the Sweet Inspirations. Springfield initially recorded her vocals there as well, but reportedly dissatisfied with the results, later rerecorded them at Atlantic Studios in New York City. Although the single "Son of a Preacher Man" was a hit, early album sales proved modest. Over time, "Dusty in Memphis" grew in stature to become widely recognized as an important album by a woman in the rock era. Elvis Costello, who contributed the liner notes on the "Memphis" 2002 reissue writes, "Dusty Springfield's singing on this album is among the very best ever put on record by anyone." Her voice, Costello wrote, was "... recorded in the audio equivalent of 'extreme close-up.' Every breath and sigh is caught and yet it can soar." Selected for the 2019 registry.
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Tower's five-part "Fanfares for the Uncommon Woman" was composed between 1986 and 1993, with the whole piece revised in 1997. Each of the five fanfares is written for a different instrumental combination. The work is a tribute to "women who are adventurous and take risks" and each fanfare is dedicated to a different inspiring woman in the musical world. This recording marks the first time all five fanfares were recorded together and the total work intended to be viewed as a celebration of women in music. Selected for the 2014 registry.
"This team... have been instrumental in providing trustees with the necessary direction and advice to ensure smooth management of all matters of the JSM Trust," said Mashego. She said the trust was set up to protect Malema and other individuals who were abused by the state, as they believed the Sars bill was being used as a mechanism to keep Malema out of the political arena. 2ff7e9595c
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